Travel
with Lakshmi & Sarasvati
R K ShriramKumar
‘Delhi le pADa romba
kETTirkka.Unakku
Needucharana pankaja
pADamA?’
Amma would ask in a caring
tone. ‘aDuttadu Delhi
porom. adukkule AnAlum
thayArAyidu!’ Mama would
enthusiastically inform me
about the concert a month in
advance. Amma’s concern
would be about my learning
the kalyani krti. Mama’s
constant reminders to me
would be to learn the game
of cards so that I would
give him company on the twin
night travel to Delhi.
Traveling with the
Sadasivams was always a most
welcome and an enjoyable
event. Be it a car drive to
KAncIpuram or the
trans country train journey
to the capital of India, it
was an event that was always
looked forward to. It was
not just the artist in Amma
who was traveling with her
escort in Mama. It was like
a whole family traveling
together on a joyous
occasion. The well
coordinated efforts of Atma
Mama, their sincere
secretary, would always
result in an ideal travel
plan. Mama was always
particular that all of us
traveled together, stayed
together and returned
together. It was this trait
of togetherness that was one
of Mama’s and Amma’s
innumerable virtues.
Their car would enter the
portico of the vintage
British structure of the
Madras Central station, and,
there, would wait for the
station manager to
respectfully receive the
couple. As they walked to
the train, one would hear
the whispers of surprise
that would hiss across the
sprawling hall of the busy
station. Every other person
would invariably take a step
backward to glance at the
graceful glowing couple. A
sense of elation of being
with such a celebrity would
pervade my constitution. We
would wait at the platform,
amidst a trolley load of
suitcases and bedrolls for
the train to come. Though
seated under a dim light,
‘Lakshmi’ and
‘Sarasvati’, the two
tamburas of Amma, which
were the lifelines of her
concerts, would ‘beckon’ a
few people to extend a note
to Amma for an autograph.
‘avar kiTTa modalla
vAngikkongo’, she will
direct them to get it from
Mama first. ‘pAvam AshayA
kEkkara’ and will happily
complete signing the
autograph next.
There is an upsurge of
nostalgia when I look at the
cubicles of the
air-conditioned coaches of
most of the trains of the
Indian railway. After the
loading of the baggage on to
the train and tucking in
both the tamburas on to an
upper berth of the 2 tier AC
compartment, Amma and Mama
would settle down in
adjacent cubicles. With the
rays of the morning sun
sneaking into the
compartment, Amma would be
ready for her coffee, her
most favorite beverage.
Vishalam, her personal aide
would be on her toes and as
the morning coffee session
would be in progress, Amma
would deplore at my not
drinking the south Indian
speciality. At a major
station in the morning and
noon would arrive breakfast
and lunch, specially ordered
and prepared for us.
With the closing of the
food wing, Mama would gear
up for his favorite pastime.
A makeshift table using the
suitcases and a bedspread
would appear in the aisle in
Mama’s cubicle and the card
game would begin. Mama would
remember his instruction to
me and would ask again if I
would join. I would excuse
myself for not having learnt
the game. Mama lamenting yet
another time, would say
‘EnDA Ammakku pakkavAdyam
vAshikkare.enakku
pakkavAdyam vAshikka
kUDadA?’
I would smile and say ‘Mama,
next time’. The game would
go on and on. Mama would
rule the roost each session
and his cross-legged
sukhAsana position would
remain intact until evening!
Amma, Atma Mama and I would
spend the afternoon in the
other cubicle. Amma would
rarely have a nap in the
afternoon. She would share
most of her experiences,
both off stage and on stage,
and hearing all that would
leave one awestruck with
astonishment.
The topics would cover
anything from sangitam
to social issues!! She would
recollect about how her
mother groomed her, the
rigorous practices that she
used to do of the akaras and
the varisais to keep her
divine voice in good shape,
her focus on impeccable
shruti shuddha
,internalization of the
composition and her intense
efforts to respect the
sahitya bhAva. Her initial
concert experiences with her
mother accompanying her on
the vina, and later her
concerts for many a vidvat
sadas were amongst her fond
memories. She would also
reminisce about her
migrating to Madras, her
training under the doyens of
the music world such as
Musiri Mama, Semmangudi
Mama, and a host of others,
her acting skills in movies,
especially ‘Meera’, the
accolades and recognition
from all over the globe and
her philanthropy . Amma
would choke with emotion as
she would narrate her
blessed experiences with the
Sage of KancI, shrI
Candrashekharendra Sarasvati
and BhagavAn shrI Satya SAi
BAbA. One would feel
highly inspired and
rejuvenated to listen to her
narrations.
Talking of one of her
cherished concerts for the
Music Academy, when she sang
a pallavi in the
rAga BegaDa, learnt
under Musiri Mama’s
guidance, Amma recollected
how, amidst the great vidvat
sadas assembled for her
concert, the mahAvidvAn
Shri Karaikudi Sambasiva
Iyer came up to the stage
and complimented her saying
‘Subbulakshmi, nee
vINaiya kanThatthule ye
vecchinDu irukke’. While
she learnt along with Radha
akka, a few tumris from Smt
Siddheshwari Devi, Amma
would mention how both of
them had to keep singing the
raga scale in different
kAlams until Smt Devi
finished rotating her rosary
during her japam!
Amma would cite innumerable
instances of how her
dedication to the divine art
gained her much recognition
from the pAmarAs and
the panDitAs alike.
Finally, she would owe all
of what she was to Mama.
‘But for him I wouldn’t be
what I am today’ she would
say in total reverence.
Her penchant for the
glass bangles, perfume and
flowers was something
unique. Every time I told
her that I would be going to
Madurai for a concert, Amma
would give me a talk on the
excellent glass bangles that
one can buy at the entrance
of the Minakshi shrine. She
would feel immensely happy
if somebody got her the
glass bangles, especially of
the dark red and green
shades. Similarly, she used
to be so fond of good
perfumes and flowers,
particularly the jasmine.
Amma would talk about how a
family should work. She
agreed with the dynamism of
the woman and at the same
time expected her to be in
line with the ways of her
husband. It was absolutely
amazing, that, for the
supreme celebrity status
that both Amma and Mama
enjoyed their life style was
one that was simple and
lofty in ideal.
By evening, as the card
game would come to a close,
Amma would spend a few
moments with Mama, watching
the final rounds and retire
early after dinner. As I
would lie in my berth with
the thoughts of the
afternoon tossing in my
mind, I would thank the
Almighty for having blessed
me with the noble
association of Smt M S
Subbulakshmi & Shri T
Sadasivam.
After the splendid
niraval at o jagajjanani
drenched in the nectar of
kalyANI, at the Delhi
concert, I would be reminded
of the king ParIkshit
who got his name because he
saw the Lord while he was
still in the womb. After
all, I have also grown up
with Amma’s music right from
my mother’s womb! She sang
for my mother’s seemantam!!!
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